Void, River,
Nocturne, 2001
Pigment prints on canvas
122 x 122cm
Nocturne
I use abstraction, rather
than strict representation, aiming for a de-stabilizing
of images and, by extension, the certainties of
the viewers of those images.
彼女の他の写真作品と同様にポラロイドで撮影し、デジタルで出力していますが、画像のデジタル処理は一切していません。このシリーズはキャンバスに出力してあります。[Void]はインスタレーション作品を設置する前の何もない空間そのもの。[River]は作品完成後、[Nocturne]は夜、照明を切って天井から入る外光だけで撮影しています。実は、先週紹介したインスタレーション作品、[96
Degrees in the Shade]の記録写真でもあるのです。
BA from the University of California, Santa Cruz, and
MFA from California Institute of the Arts. Kira lives
in New York. She has exhibited at Studio Museum in Harlem,
Santa Monica Art Museum, California African American
Museum and so on. She has a variety of experience in
participating art programs such as Whitney Museum Independent
Study Program, Phillip Morris Fellowship, and Artist-in-Residence
at Studio Museum in Harlem, Art Omi, and Harvestworks.
Aya Kinoshita Harazono
Aya lives in NY, researching emerging artists and such art
programs as artist-in-residence. Currently studying for a
Masters in Anthropology at Hunter College. Her interests are
lie in the evolution of human cognition as well as the origin
of art.